Vestigial jaws that negotiate, guarded, wrapped in pitch, the consumption of a photograph, packaged 11 years ago, of a house from 1768. Another house, almost a manor house. A pine cone for a wall, a Portuguese heritage for low walls and gardens, stabilizes the scene tethered by steel cables and an iron frame. Concrete gem, hard, clear with little kaolin, earthenware cracked by temporal agents. Upon opening the packaging of what was a photo of a house, the encounter with fossilized rubble, burrs, remains, expurgations and shavings.
